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Urban Light: The storyline of LA’s great landmark for the 21st century

10Feb

Urban Light: The storyline of LA’s great landmark for the 21st century

The way the installation became a Los Angeles symbol

The main entrance to the Los Angeles County Museum of Art was through a swedish shaved pussy hole in the postmodern fortress of the Art of the Americas Building on Wilshire Boulevard from the mid-eighties through the late aughts. The campus from Sixth Street to Wilshire Boulevard in 2008, the museum opened a drastically reconfigured campus, designed by architect Renzo Piano, that shifted the center of gravity west to a new pavilion and walkway spanning. To its western, a three-story red escalator rose to your top floor and primary entrance associated with brand new wide Contemporary Art Museum; into the eastern, a brand new staircase developed to display Tony Smith’s sky-scraping “Smoke” sculpture led up toward the old campus.

In the centre, the pavilion had been allowed to be anchored by having a reproduction vapor locomotive hanging from the 160-foot crane and belching smoke, a still-to-this-day-theoretical work by Jeff Koons. Alternatively, LACMA mind Michael Govan chose to erect a temple that is“open-air on the internet site, composed of 202 classic lampposts, painted an consistent gray, arranged symmetrically. Seven years later on, it is difficult to imagine a l . a . before “Urban Light,” now the most work that is famous Chris Burden.

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